firstwriter.com's database of publishers includes details of 2,765 English language publishers that don't charge authors any fees for publishing their books. The database is continually updated: there have been 18 listings added or updated in the last month. With over a dozen different ways to narrow your search you can find the right publisher for your book, fast.
News
The 2025 edition of firstwriter.com’s annual directory for writers has just been released, and is now available to buy in paperbook, with the ebook version set to follow in the New Year.
The directory is the perfect book for anyone searching for literary agents, book publishers, or magazines. It contains over 1,500 listings, including revised and updated listings from the 2024 edition, and over 300 brand new entries.
NEW and seasoned writers across the south west are invited to submit their work to the Somerset literary group - Axe River Books.
Until the end of January, Axe River Books is requesting submissions of literary fiction that embodies the richness of the region, from writers or manuscripts connected to the south west.
The company is accepting long-form prose fiction, or any genre with a “literary edge” from both emerging writers and seasoned storytellers. Novellas, short stories, poetry and illustrated books are not accepted for submission at this time.
The community interest company (CIC) was founded in 2022 by three literature enthusiasts to offer publishing opportunities to writers in the south west of England, with a focus on those unpublished or unrepresented by literary agents. Inspired by the Mendip Hill’s river of the same name, River Axe Books provides a platform for emerging voices and promotes original talent from the region.
The publisher behind Harry Potter books has boosted its academic publishing arm with the $83 (65m) acquisition of Rowman & Littlefield.
Bloomsbury Publishing, which, as well as JK Rowling’s series, is known for its hits in the fantasy and fiction genres, said the move for the academic and trade publisher “significantly accelerates and strengthens [its] academic publishing in North America”.
The acquisition comes off the set of a bumper set of results for Bloomsbury in which the publisher’s success in fantasy fiction helped it to record profits of £41.5m and hiked its dividend by 25 per cent.
The transaction is structured as a sales and purchase agreement, and of the $83m (£65m) cost, $76m (£60m) has already been satisfied, the firms said in a statement to markets. The remaining $7m (£5.5m) is expected to be satisfied post-completion.
Rowman & Littlefield is a privately-owned independent publisher that publishes more than 40,000 academic titles. The firm will add to the Bloomsbury’s already-successful academic publishing division, which releases titles in fields as diverse as Law, Film & Media, Engineering History and International Development.
American trade and academic publisher Human Kinetics has bought Lotus Publishing, a small Sussex-based press focused on highly illustrated titles in anatomy, sport and health.
The list of roughly 50 titles will be added to the Human Kinetics portfolio as a new imprint: Lotus Books. The price of the sale has not been disclosed.
Human Kinetics, based in Illinois is the leader in physical activity, health, and sport publishing, including titles such as Strength Training Anatomy and Yoga Anatomy. The employee-owned company is also the publishing partner of organisations as the National Strength and Conditioning Association (NSCA), the Society of Health and Physical Educators (SHAPE America), the American Association of Cardiovascular and Pulmonary Rehabilitation (AACVPR), and Toronto-based canfitpro.
Articles
Signing a contract with even a brand-name traditional book publisher initially feels like a ticket to Nirvana. You may expect, for example, your new publisher to set you up with a big fat advance, a multi-city promotional tour, your very own personal PR rep and multiple copies of your book on every bookshelf in the nation (and Canada) for as long as you and your book shall live.
But to understand how book publishers really work, study this list of what I call the four great “myths” of traditional book publishing. Then, by all means, proceed to seek out a publisher if that’s your goal but do so with your eyes wide open. Your relationship with your publisher will run much smoother if you recognize its pitfalls as well as its glories.
I've fallen in love with printed books. Again. Especially those for children.
Twenty years into my book publishing career—which included marketing for trade book publishers and founding a children's imprint—I had the opportunity to go digital, move into the future, hang out with the cool guys, play games, do the bicoastal thing, and grow a ponytail.
In 2021 author, poet and teacher Kate Clanchy gained an unwelcome new accolade: the award for the most liberal target of a cancellation yet. Clanchy’s much-celebrated Some Kids I Taught and What They Taught Me, about her experiences of teaching poetry to disadvantaged children around the UK, won the Orwell Prize in 2020. But a year later, thanks to a handful of the book’s sentences being shared out of context on social media, she found herself publicly shamed by today’s self-appointed moral guardians. She went from being applauded for bringing poetry to working-class children to being humiliated into accepting sensitivity-reader approved rewrites of her work.
It might be a new year but Clanchy’s punishment beating continues. It was announced last week that plans for a woke rewrite of Some Kids I Taught had been dropped – not because it was a God-awful idea to begin with, but because Clanchy and her publisher, Pan Macmillan, have decided to part company ‘by mutual agreement’.
The publisher’s statement notes: ‘Pan Macmillan will not publish new titles nor any updated editions from Kate Clanchy, and will revert the rights and cease distribution of Some Kids I Taught and What They Taught Me and her other works.’ This is an astonishing attempt by a publishing company to distance themselves from an author and her work.
Not so long ago, writing and publishing your own book was just a pipe dream for many of us.
It wasn’t so much getting the words down on paper which was putting us off.
It was more the expense of either finding an agent and a publisher or paying through the nose to print dozens of copies yourself which might have ended up unsold and gathering dust in the garage.
But that is resoundingly no longer the case. Digital publishing and online booksellers such as Amazon have been an absolute game-changer.
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