
Who is Kanishka Gupta? A book magician of sorts
uk.style.yahoo.com – Tuesday September 10, 2019

Ever spare a thought for how millions of Indian readers get their hands on a variety of amazing books? A great idea or story still needs to be considered by a publisher to make it to the shelves. A lot happens behind the scenes before a book sees the light of the day, and that's where the role of a competent agent becomes critical.
An aspiring author and a college dropout, Kanishka Gupta met with several disappointments with regards to finding the right publisher for his own manuscript. The agency he opted to go along with turned out to be phony, which left him further exasperated. When he didn't receive much guidance for his manuscript himself, he founded an assessment agency, Writer's Side, to systemise publishing. A one-of-its kind agency, Writer's Side brought immense success to Kanishka, the benefits of which he hopes to extend to authors worldwide. As Writer's Side completes 10 years, he has secured over 500 book deals for his authors. As of 2019, he represents over 400 authors from across the world.
New Publisher Listing
firstwriter.com – Tuesday September 10, 2019
Publishes: Fiction;
Areas include: Erotic; Fantasy; Romance;
Markets: Adult
Publishes erotic and paranormal romance ebooks. See website for full submission guidelines.

New Literary Agency Listing
firstwriter.com – Tuesday September 10, 2019

Represents children's authors and artists.

How (and Why) We're Celebrating 'World Kid Lit Month' in 2019
bookriot.com – Sunday September 8, 2019

Translations have always been a part of children’s literature. Hans Christian Andersen’s fairy tales were translations. Pippi Longstocking, Asterix, and The Little Prince are among the world’s most popular children’s titles—in their originals and in translation. But while English language children’s literature boomed at the beginning of this century, the space for new and genre-shaking translations shrank. Translated titles for young readers do continue to appear, of course. But they often adhere to English language publishing conventions, and most come from Western Europe.
Yet in the last few years, publishers have turned with renewed interest to diverse children’s literature in translation. Many new kidlit imprints have launched with a focus on international literature. The publishers are as diverse as Pushkin Press, Archipelago, Seven Stories, and Amazon Crossing. To encourage this process, in September 2016, book activists launched the first “World Kid Literature Month.”
All through the month, we celebrate and promote literature for young readers in translation—particularly from beyond Europe.
New Publisher Listing
firstwriter.com – Friday September 6, 2019
Publishes: Fiction; Poetry;
Areas include: Short Stories;
Markets: Adult; Children's
Before submitting, you must have read at least one of the publisher's books. You do not need to have bought one -- they can be borrowed from libraries -- but you need to have read one. Prefers email submissions. Send 5-10 poems, 3-5 short stories, a synopsis and one chapter for novels, a representative sample for graphic novels, visual art, or children's books.

Low-pay writing
By James A. Haught
Editor Emeritus, The Charleston Gazette
firstwriter.com – Tuesday September 3, 2019

Moliere said: “Writing is like pr__t_t_tion. First you do it for the love of it. Then you do it for a few friends. And finally you do it for money.”
Unfortunately, many of today’s writers can’t attain the level of a self-supporting h__ker, because markets and communications have evolved into strange new territory.

Ten tips for writing for audio
thebookseller.com – Monday September 2, 2019

As a university writing tutor it can be embarrassingly tiresome to always practise what you preach. But 5,000 words is not a daunting challenge, not an Annapurna, nor even a Munro, except . . .
Except that these 5,000 words must lift themselves from the page and fly from the mouth of a narrator into the ear of a listener. They must convince by their authenticity. They must instantly engage, hold and persuade the listener to join in a secret communion. As a BBC radio producer, the watchword (we didn’t have mission statements or mantras back then) was always "take me there and make me care".
Our duty was to bring the listener on a journey, and make sure they stayed on the voyage until the final second. No small task these days with a magnitude of offerings to tempt us to detour this way and that.

Indies dominate CWA shortlist for best crime and mystery publisher
thebookseller.com – Monday September 2, 2019

Indie presses dominate the six-strong shortlist for the inaugural Crime Writers’ Association (CWA) Dagger for the Best Crime and Mystery Publisher of the Year.
Faber will go head to head with fellow indies Oldcastle Books imprint No Exit Press, Orenda Books, Pushkin Vertigo and Bloomsbury imprint Raven.
HarperCollins scores two nominations with Harper Fiction and HQ both in the running for the award that is first new Dagger category created in over a decade.
New Magazine Listing
firstwriter.com – Monday September 2, 2019
Publishes: Fiction;
Areas include: Short Stories;
Markets: Adult;
Preferred styles: Literary
Twitterzine publishing short stories up to 140 characters. Also accepts serials of up to 3-7 parts, though each must be able to stand on its own. Submit no more than once per week, by email.

Writing Fiction about Real People
historynewsnetwork.org – Sunday September 1, 2019

Biographers can report what happened to their subject and when; they can also suggest reasons why it happened. But only a novelist can climb inside the subject’s head and describe their innermost thoughts and insecurities. It’s in that secret place, hidden behind the bare facts of a life, that I like to write.
The recent trend for biographical novels about strong historical women has produced some cracking reads: Stephanie Dray and Laura Kamoie’s My Dear Hamilton, Stephanie Marie Thornton’s American Princess, and the works of Paula McLain, of which my favourite is The Paris Wife. In the UK Hilary Mantel and Philippa Gregory are perennially popular with their insider stories of the Tudor and Stuart monarchies, and many other novelists have dipped their pens in the biographical inkwell. None of them is attempting to rewrite history – it is always clear they are writing fiction – but they want to go deeper than the history books allow.
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