PRH Partners With the James Baldwin Family to Launch New Creative Writing Award for Fiction
global.penguinrandomhouse.com – Tuesday August 6, 2024
Penguin Random House has partnered with James Baldwin family to launch The James Baldwin Award for Fiction, a creative writing award for fiction for public high school students, in honor of the 100th birthday of the literary legend and civil rights champion. The award will recognize a student for an original literary composition in English for fiction with a first-place prize of $10,000.
The James Baldwin Award for Fiction is one of six creative writing awards given by Penguin Random House as part of their signature Creative Writing Awards (CWA) program. Other categories include the Freedom of Expression Award; the Amanda Gorman Award for Poetry; the Michelle Obama Award for Memoir; the Maya Angelou Award for Spoken Word; and the NYC Entrant Award.
Since 1993, the Penguin Random House Creative Writing Awards have awarded more than $2.9 million dollars to public high school students for their original compositions. In partnership with nonprofit We Need Diverse Books, the program empowers and celebrates hundreds of young writers each year and underscores Penguin Random House’s commitment supporting the next generation of readers and authors and amplifying diverse voices and stories. Creative Writing Award winners have gone on to become professional and award-winning authors.
Riposte magazine returns as a ‘visceral’ new literary journal
dazeddigital.com – Saturday August 3, 2024
Danielle Pender’s beloved magazine has undergone a ‘super chic’ rebrand, with its latest issue featuring writing from Sheena Patel, Halima Jibril, Charlie Porter and more
When Riposte Magazine first launched in 2013, it quickly cultivated a space for the culturally avid and curious. Independent magazines were blossoming with fresh points of view, fostering communities with each conceptual revolution and zine drop. Ione Gamble’s Polyester was growing, a sparkling ode to having ‘faith in your own bad taste’ and a challenge to what we should both hold close and explode of girlhood. Kieran Yates’ British Values was celebrating the UK’s immigrant communities, while Strike! Magazine was anarchically swinging at the publishing industry, and Mushpit was running all over London to its own mad melody.
“2013 feels like a really long time ago,” says founder Danielle Pender today. “It was before #MeToo, the women’s march, and the Black Lives Matter movement had just started in July of that year. Tumblr was still at its peak, we hadn’t been Girlbossed yet, and Obama was still president.”
Riposte, founded and edited by writer and Watching Women and Girls author Pender, took on societal pressure points for women and the subsequent solidarity borne from them. “We were originally railing against the narrow representation of women in the media and writing features on forgotten women; it feels almost quaint now,” she says. “The magazine evolved and became a lot more progressive. I’m really proud of the women we platformed and the features we published, especially the more political articles and social commentary pieces.”
Shogun by James Clavell: A Commentary by G. Miki Hayden
By G. Miki Hayden
Instructor at Writer's Digest University online and private writing coach
firstwriter.com – Friday August 2, 2024
Writers need to read their own work as readers, to make sure readers will understand the piece as written; but writers must also read the work of other writers as writers, to pick up writing hints and to understand what these writers had in mind.
So, I have been reading Shogun like a writer and here’s what I picked up, both positives and negatives.
One Shogun positive, of course, is author James Clavell’s extraordinary and specific descriptions. He doesn’t shrink from the horrific, for sure, but gives the unimaginably awful in its full gory glory. He presents a lot of dreadful images in the opening setting, for instance, in which the few remaining sailors on pilot Blackthorne’s ship are starving and their teeth have fallen out from scurvy (not Blackthorne’s teeth since he has secreted an apple or two from which he takes regular small bites). Then comes the storm. Worse follows. Later, people’s heads are cut off quite frequently with sharp swords in the Japan of 1600.
But why is this a positive? The tormenting of characters and readers with unbearable happenings? This is the hook, guys, and given the fame of the novel and its sale of six million copies on its first run from 1975 to 1980, the initial drama did its job. Here comes the hero, and he’s taking a terrible physical and emotional beating.
But Clavell brings us beauty of every type as well, including that of the Willow World of the courtesans, an impressive look at the ritual of the tea ceremony, and the enormous overcoming of the clever hero who learns to appreciate the relaxation and cleanliness of a hot bath—along with the Japanese language and Japanese manners, which are detailed fairly explicitly.
Duckworth Books buys September Publishing for undisclosed sum
thebookseller.com – Thursday August 1, 2024
September Publishing will become an imprint at Duckworth Books after being sold for an undisclosed sum.
The full team of three will transfer over, including September’s publisher Hannah MacDonald who will continue to lead the list, now as an imprint of Duckworth Books.
Founded by MacDonald in 2014, September has won the Regional Small Press of the Year award twice and been shortlisted every year since the award started. It has a core of upmarket mind-body-spirit publishing and has published five titles with author Sharon Blackie, as well as a wider range of illustrated and narrative non-fiction. September also has publishing relationships with the Van Gogh Museum and English Heritage.
New Literary Agent Listing: Amy O'Shea
firstwriter.com – Monday July 29, 2024
Interested in a wide variety of non-fiction from prescriptions for thinking and living better by experts in their field, to humour, history, true crime and memoir whereby the author immerses the reader in a lived experience. In an ever-changing landscape, she is looking for books that bring fresh, practical and accessible solutions to their audience - anything that can teach us more about who we are and the world we share.
Rejecting writer’s block: rediscovering your writing passion this summer
theboar.org – Monday July 29, 2024
There is a sense of irony about writing whilst talking about writer’s block. But this frustrating struggle has been bothering me all throughout the summer months. Whether it’s a sense of burnout after exam season, or just the warm heat getting to my head, writing can be tough during such a long break. Every budding writer has experienced it, so where does it originate, and how do you get over this tendency found in every creative person?
The phenomenon of writer’s block is defined as the “temporary or lasting failure to put words on paper”, often provoked by worry, academic fatigue, or just the fear that your writing will not be good enough. Due to the fact that writing is such a creative process, relying on flow, passion, and courage, the inability to complete such a task is frustrating for the sufferer. Even successful authors, such as the Franz Kafka, have personal accounts of their frustration, with words in his letters poignantly phrasing that his personal worries and woes led to his despair and battle with creativity.
The antidote for writer’s block is often quite, dare I say, trivial. Many articles have told me to go on a walk, or remove distractions, and whilst I cannot deny this works to an extent, it will not hit the nail on the head. Returning to “the roll, the rise, the carol, the creation”, perhaps pretentiously put by Gerard Manley Hopkins, feels like it comes from within. The art of putting pen to paper is a personal thing, and overcoming that is tough.
BAFTA Rocliffe new writing competition
cinematography.world – Saturday July 27, 2024
The BAFTA Rocliffe new writing competition is a platform for aspiring screenwriters to have their work showcased and a fantastic opportunity to take their writing career to the next level.
The competition, which runs twice a year, calls submissions for Film, Television Drama, Children, Family & YA Media, and Television Comedy scripts. In 2024, we will be running Television Comedy and Film.
Following a blind judging process, selected script extracts are performed by a professional cast to an audience of producers, development executives, directors, actors and literary agents, aiming to give a platform to emerging writing talent from across the country.
Amanda Harris to leave YMU in 2025 and set up new literary agency
thebookseller.com – Friday July 26, 2024
Literary agent Amanda Harris is leaving YMU to set up her own literary agency. Harris will be leaving the company in early 2025, however she will continue to work with YMU clients on future projects.
Speaking exclusively to The Bookseller, Harris, managing director of Literary, said: "I have had a great time at YMU, and I am thrilled to be continuing my work with YMU clients as I take the next step in my agenting career. I feel very honoured to have launched a bespoke literary business within the company, and to have worked with such a talented team of award-winning agents.
"YMU Literary’s impact on the group, and the UK publishing industry, is reflected in the bestseller charts, national book awards and huge TCM sales figures achieved by our authors and their publishers."
Plans for national writing centre put to government
bbc.co.uk – Wednesday July 24, 2024
Plans to create a national writing centre in the North East have been put to the government.
The Centre for Writing would be based at Bolbec Hall in Westgate Road, Newcastle, and would support community writing and reading initiatives.
New Writing North, the charity behind the plan, said the centre would cost £14m and it was seeking £5m from the government's Cultural Development Fund.
Claire Malcolm, the charity's CEO, said the investment would "help train and develop a new generation of local talent".
"I want young people here to be able to grow up to be publishers, writers and creatives without presuming they need to leave the North East to achieve their ambition," she added.
If approved, the centre would provide support for professional writers and publishing businesses across the north of England.
Peng Shepherd On Writing A Choose-You-Own-Adventure Speculative Mystery
crimereads.com – Tuesday July 23, 2024
Having just survived writing a speculative mystery novel that allows readers choose what happens at certain points in the story, when CrimReads asked me to write an essay about the experience in the same format, I felt:
Terror
Excitement
TERROR
It’s already hard enough to write a book. But to write one in which there are multiple versions of the main character’s story, all of which make sense, and more importantly, all of which feel just as true, was a whole new beast entirely. What if I’ve bitten off more than I can chew? What if readers think it’s too weird? What if I fail? The writing of the manuscript really was like a microcosm for life.
And this is the thing, both about writing and about life: one of the best parts is getting to make choices about what’s most important, because that’s how you define yourself as “you”—and one of the hardest parts is having to make choices about what’s most important, because you might get it wrong. And if you do, how do you live with that?
Nostalgia
No Good Options
NOSTALGIA
Many of us are familiar with the children’s Choose Your Own Adventure series of books from our childhood, in which you start as a blank “You” canvas and are immediately launched into an outlandishly fun adventure in outer space or on the open seas or deep in some jungle.
Why did we all love that series so much as kids? What was it about those paperbacks that could transport us somewhere else for entire afternoons at a time? My personal theory is that choice is exciting to children because at that age, you almost never get to make them. Most of your life is dictated by your parents or your teachers, and so any opportunity to exercise some autonomy, no matter how trivial, is thrilling. If you put on a blue shirt for bed, will the aliens invade Earth? If you have the granola instead of the chocolate puffs, will a portal open in your basement?
But when you’re an adult, the game changes. Now you have entirely too much choice, none of which leads to extraterrestrials or SCUBA diving for lost treasure in the Bermuda Triangle. The responsibilities can be so much, we might almost wish that sometimes, the pressure of choosing could briefly be taken away from us again.
Then it was.
You can only go to “No Good Options”
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