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'A Plague on the Industry': Book Publishing's Broken Blurb System

esquire.com – Thursday September 7, 2023

Do authors actually like the books they endorse—or even read them? Writers, literary agents, and publishing workers take Esquire inside the story of a problematic "favor economy."

When an author I’d worked with a decade ago at Simon & Schuster emailed me asking if she could send over an advance copy of her new novel, I of course said yes. But what really got me to read her book over all of the many unread books in my apartment was this quote from mystery writer S.A. Cosby on the cover: “Polly Stewart's The Good Ones is a fantastic achievement. A classic Southern Gothic tale told through the prism of modern-day sensibilities. Not to be missed.”

Having been unable to stop thinking about Cosby’s heartbreaking thriller Razorblade Tears ever since I read it, I inherently trusted him to guide me to my next great summer read (spoiler alert: he was right).

That quote from Cosby is what’s known as a book blurb, or more commonly, just a blurb. These endorsements from other authors or relevant notables are included on book covers, press releases, bookseller letters, and other promotional materials both before and after publication. Requests for blurbs are commonly made author-to-author or otherwise put into motion through their editors or agents ahead of publication, as soon as the manuscript is ready to send out—the earlier, the better.

On their surface, book blurbs seem fairly innocuous, but in reality, they’re a small piece of the puzzle with a big impact—one that represents so much of what’s broken within the traditional publishing establishment. Blurbs expose this ecosystem for what it really is: a nepotism-filled system that everyone endures for a chance of “making it” in an impossible industry for most. To borrow a phrase from Shakespeare enthusiast Cher Horowitz, “Blurbs are a full-on Monet. From far away, they’re okay, but up close, they’re a big old mess.”

 

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That best-selling romance book? It might be based on fan fiction

marketplace.org – Thursday September 7, 2023

Romance novels do big business for the publishing industry, and there’s a new source for those books going mainstream. As Elizabeth Held wrote in Vulture, publishing houses are looking to the world of fan fiction for new writers, converting their already-popular fanfic into books.

“Marketplace” host Kai Ryssdal spoke with Held, a self-proclaimed “avid reader” and writer of the book recommendation newsletter “What to Read If.” The following is an edited transcript of their conversation.

Kai Ryssdal: So for those who aren’t familiar with the world of fanfic, which includes me, by the way. What kind of stories do you find out there on, for instance, the site you talk about in this piece called Archive of Our Own?

Elizabeth Held: So fan fiction is kind of a giant, underground community that’s starting to pop up anywhere. So a lot of the stories you find on Archive of Our Own, which is also referred to as AO3, are love stories featuring characters from all sorts of different books and movies. A lot of “Harry Potter,” Marvel and “Star Wars.”

Ryssdal: So, let’s talk about a couple of things here. First of all, the business case for this, the “Marketplace” reason we have you on this podcast, is that literary agents are now finding their way to fan fiction authors. As opposed to the other way around, which is usually authors have to go screaming and hurting and crying to find a literary agent. What’s up with that?

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New Magazine Listing: Snowflake Magazine

firstwriter.com – Thursday September 7, 2023

Publishes art, poetry, essays, flash fiction, photography, interviews and articles that are either queer themed or from an artist who identifies as LGBTQ+ (or both).

[See the full listing]

This sinister censorship agenda in the publishing world should trouble us all

standard.co.uk – Wednesday September 6, 2023

Hard on the heels of the news that Ian Fleming’s publishers have “edited” its new edition of the James Bond novels to coincide with the 70th anniversary of Casino Royale (a cracker) to omit some non-current references to race, there arrives a new version of James Bond. On His Majesty’s Secret Service, by Charlie Higson, is Bond as a sensitivity reader might have created him.

As The Spectator reviewer observed, “our hero has somehow become the modern age in arms, a Centrist Dad with a sidearm.” Instead of bad Bond, we get 21st century Bond. Whaddya know? He’s rubbish.

The problem with the censorship of contemporary publishing is twofold: one is that it happens upstream, at the commissioning, writing stage of a book.

The other is that when it comes to the censorship of existing authors, it’s like additives in foodstuffs; you have to read the small print to find it’s there. So, with the edited Bond, you have to be bothered to read the publisher’s note that “This book was written at a time when terms and attitudes which might be considered offensive by modern readers were commonplace”. If you’re buying it on Amazon, what chance that you’ll know that you’re getting an expurgated version? What you actually need is a big fat sticker on the front saying: CENSORED.

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Evans and Virginia to launch Inkspot Publishing list

thebookseller.com – Wednesday September 6, 2023

Catherine Evans and Jurcell Virginia have launched a new publishing company, Inkspot, and will be hosting a launch event in Piccadilly, London on Tuesday 26th September, to celebrate the publication of its first two titles.

Founder and publishing director Evans acquired world rights for all the titles Inkspot has acquired so far.

Evans is a trustee and long-time supporter of ChipLitFest and the founder of Fiction Junkies. Virginia started his career in hedge funds, then moved to private equity. He is an avid martial arts fanatic and has written a book with his sensei, Hideo Muramatsu, The Neglected Samurai, which will be published by Inkspot in 2024.

[Read the full article]

New Publisher Listing: Quadrant Books

firstwriter.com – Wednesday September 6, 2023

A small independent publishing house based in rural Gloucestershire and dedicated to publishing the best in up-and-coming fiction and non-fiction from talented authors from the UK and overseas.

[See the full listing]

New Publisher Listing: Penzler Publishers

firstwriter.com – Tuesday September 5, 2023

An independent publisher of mysteries, thrillers, and suspense.

[See the full listing]

Viking to sponsor the Edward Stanford Travel Writing Awards featuring new category

thebookseller.com – Monday September 4, 2023

Exploration company Viking will be sponsoring the 2024 Edward Stanford Travel Writing Awards, run by map and travel book retailer Stanfords. 

A new category called the Viking Award for Fiction with a Sense of Place has also been introduced this year. Viking guests will have the opportunity to nominate their favourite books that have been published in the past 12 months.

Other categories for 2024 include The Edward Stanford Travel Book of the Year, the Children’s Travel Book of the Year, the Bradt New Travel Writer of the Year and the Edward Stanford Outstanding Contribution to Travel Writing Award, which was first presented to the author Bill Bryson in 2015.

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Hardie Grant UK

firstwriter.com – Monday September 4, 2023

An independent publishing and media business working with authors and brands to create high-quality books, magazines, websites and content across platforms.

[See the full listing]

The Working Class Writers Grant

speculativeliterature.org – Sunday September 3, 2023

Since 2013, the Working Class Writers Grant has been awarded annually to speculative fiction writers who are working class, blue-collar, financially disadvantaged, or homeless, who have been historically underrepresented in speculative fiction due to financial barriers which make it hard to access the writing world. Such lack of access might include an inability to purchase a computer, books, and tuition, or to attend conventions or workshops. Often, these writers, many of whom work more than one job, have less time to write. The SLF seeks to bring more of these marginalized voices into speculative fiction.

[Read the full article]

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