New Publishing Imprint Listing: ChristLight Books
firstwriter.com – Tuesday May 10, 2022
Publishes Christian fiction and nonfiction books.
Webnovel Kicks Off Global Writing Contest to Highlight Emerging Voices in Different Languages
prnewswire.co.uk – Saturday April 30, 2022
Webnovel, a global-facing project founded by China Literature (China Literature Limited 0772.HK),launched the 2022 Webnovel Spirity Awards (WSA) on April 29th . In addition to English works, the writing competition also accepts entries in Indonesian and Thai for the first time. Winners will be given a chance to have their works adapted into TV or film by WeTV, the global video streaming platform launched by Tencent Video.
Leading on from last year, English will remain the main category with nine themes for entrants to choose from, including werewolf, CEO or billionaire, and fantasy. Additionally, English writers with ideas for other subjects are also encouraged to submit them. As the majority of online literature readership in Indonesia are female, the Indonesian category primarily attracts themes of drama and romance, including contract marriage, CEO or billionaire, revenge, and high school, . In Thai, subjects that appear more popular include boy's love, drama, as well as global hits such as fantasy and system. The writing competitions in English and Indonesian have started, and that in Thai is expected to begin in mid-May.
New Literary Agent Listing: Ayla Zuraw-Friedland
firstwriter.com – Friday April 29, 2022
Interested in literary fiction and nonfiction that inspect big questions about queer identity, class, community, and art and technology through a personal lens, as well as poetry and a limited number of graphic or hybrid projects.
Don Winslow: The Complicated Ethics of Writing Violence in Fiction
time.com – Wednesday April 27, 2022
There are some hard ethical questions in the writing of crime fiction.
For me, the most difficult one is how to portray violence.
For one thing, should you depict it all?
And if so, how do you do it with some sense of morality?
I wrestle with this issue all the time. It’s a fine line to walk. On the one hand I don’t want to sanitize violence—I don’t like presenting murder as a parlor game, or worse, a video game in which there are no real consequences. On the other hand, I don’t want to cross that thin line into what might be called the pornography of violence, a means to merely titillate the worst angels of our nature.
The 25 best podcasts for writers
mashable.com – Monday April 25, 2022
Audio can be a bit of a contentious subject among written word lovers. But we're not here to re-litigate the age-old debate over whether listening to audiobooks counts as "reading" (it does, by the way).
Writing can be a lonely profession (or currently unpaid passion, until it can become your profession). But podcasts can bring listeners a sense of community no matter how isolated they are in their interests, both emotionally or geographically. As the illustrious history of famous literary circles goes to show, it often takes a village to produce the singular creative geniuses of an era.
So for established authors or amateur creative writers with big aspirations alike, there's a lot to be gained from the virtual book clubs and writer communities behind the podcasts listed below. Whether you're looking for guidance on the writing process, seeking to learn the fundamentals of great literature or about the publishing industry, or looking for muses to refill your well of inspiration, we've got you covered. From fiction to memoir, screenwriting to playwriting, and prose to poetry, there's an endless world of audio storytellers just waiting to fill your ears with the written word.
New Literary Agent Listing: Sydnie Thornton
firstwriter.com – Friday April 22, 2022
Interested in YA across all genres: fantasy, historical fiction, contemporary that leans literary, as well as thrillers with upmarket qualities and distinctive characterization. As for the adult side, she is actively looking for transportive, complex historical fiction and whimsical contemporary fantasy. Regardless of genre, she’s very likely to connect with manuscripts that bridge the YA/Adult divide. She’s also eager to champion any book that prominently features disability representation.
New Literary Agent Listing: Kate Burke
firstwriter.com – Thursday April 21, 2022
My list is made up of everything I like to read – gripping fiction featuring characters you can’t get enough of and whom you don’t want to part with at the end of a novel. I love dark stories but also uplifting love stories, too, and I’m keen to work with authors from all over the world. I’m fortunate to represent a list of bestselling crime and thriller writers, and authors of contemporary and historical women’s fiction. I’m always open to submissions of commercial and literary fiction.
In terms of what I’m looking for: on the crime side, I love dark thrillers (literary or commercial) that keep me turning the page long into the night and that surprise me with plot twists and interesting narrative structures, crime series featuring new and fresh lead investigators, and high-concept thrillers (contemporary, historical or speculative) that have a ‘what if?’ plot structure and say something about our society now or then. On the women’s fiction side, I love historical fiction that appeals to a reading group market (anything set during or post-WW2 is a particular interest of mine) and contemporary love stories that sweep you away with romance and/or heartbreak. Anything that has a discussable issue at its heart, that sucks you in as a reader and takes you on a rollercoaster emotional journey (tears and laughter!), is what I’m interested in.
On Writing a Social Novel, Giving Clear Feedback, and Outlasting Doubt
lithub.com – Wednesday April 20, 2022
I met Melissa Chadburn in 2011, at the Tin House Writer’s Conference, where I taught her in workshop. You already know that I’m going to tell you that she was brilliant and kind and funny, even back then, so I’ll skip to the part where I get really stoned.
This happened on the final night, when the poet D.A. Powell (bless his soul) proffered me hits off a blunt the size of a drumstick. At some point, I passed along to Melissa the little secret I had been saving for just such an occasion: the Croatian publisher of my debut story collection (“My Life in Heavy Metal”) had—after much anguished consideration—come up with a title that would capture the essence of my work for her readers: Sexburger U.S.A.
Oh my god, did we laugh.
Over the next five years, Melissa did two things for which I am still grateful. First, she took to calling me as Sexburger. Second, she sent me various drafts of her novel for review, absorbing, in the process, some pretty blunt feedback.
New Imprint for David C Cook
publishersweekly.com – Tuesday April 12, 2022
Christian publisher David C Cook is launching Esther Press, a new imprint focusing on women readers. Named after the Old Testament’s Queen Esther, the imprint will focus on Bible studies and trade books that share stories of women’s struggles and triumphs, as well as leadership books, devotionals, and hybrid interactive trade books and workbooks, along with video teachings. Susan McPherson, acquisitions editor at David C Cook who is heading up the new publishing program, says that Queen Esther’s “bravery, bold faith, and willingness to risk her life to answer God’s call embodies what we want this imprint to represent to women.”
Ocean Vuong on Taking the Time You Need to Write
lithub.com – Saturday April 9, 2022
The Japanese have this idea of the color of a poem. Bashō talks often about the colors of poems. I think what he means by that is the moods and the tones, the sort of aesthetic principles of them. And I think that you can’t just sit down and write that, you have to really embody it. That’s the hardest part: figuring out what tone or what mood you’re writing towards. A lot of this has to do with the themes you’re working with, or the mode that you want to present. That takes sometimes weeks, months — years, really — to develop before language comes to fruition. Language has its own register, like music, and depending on the “octave” or the tone that you’re using, there are connotations, there are meanings, implicit in tone.
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